• Installation view of Jason Wee, Cruising, 2021, Yavuz Gallery, Singapore
  • Jason Wee, …What Kind Of Futures Can We Imagine…, 2021, primed oxidised steel, paracord, spray paint, emulsion paint, dimensions variable
  • Jason Wee, Aromatics (Edit), 2021, primed oxidised steel, paracord, rubber, emulsion paint, watercolor on paper, cotton chunky yarn, dimensions variable
  • Jason Wee, Cruising to Nowhere, 2021, Digital drawing, c-print on canvas, emulsion paint, 30 x 180 cm
  • Jason Wee, Constellations (Tanjong Rhu), 2021, digital drawing, UV print on gold dibond, 60 x 30 cm
  • Jason Wee, Uncommon Choreographies #26 (Crowdsource), 2021, laminated chromogenic print on Forex board in ash wood frame, 50 x 82.5 cm (artwork); 53 x 87 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #25 (Changi), 2021, laminated chromogenic print on Forex board in ash wood frame, 50 x 82.5 cm (artwork); 53 x 87 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #22 (Left Turn & Blossom), 2021, laminated chromogenic print on Forex board in ash wood frame, 82.5 x 50 cm (artwork); 87 x 53 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #17 (Out Running), 2021, laminated chromogenic print on Forex board in ash wood frame, 82.5 x 50 cm (artwork); 87 x 53 x 3.4 cm (framed)
  • Jason Wee, Labyrinths (Living Rooms), 2017, galvanized steel, polyester print, C-print on PVC, teak laminate on plywood, watercolour on cold press paper, mirrors, etched aluminum, powder-coated steel, spray paint on cut wood, 253 x 187 cm
  • Jason Wee, Labyrinths (Need Air), 2017, galvanized steel, printed cotton, emulsion paint, teak laminate, plywood, mirror, watercolour on cold press paper, acrylic panel, 200 x 143 cm
  • Jason Wee, Labyrinths (Wayfinding), 2017, galvanized steel, aluminium, chiffon print, C-print on PVC, teak laminate on plywood, watercolour on cold press paper, 200 x 183 cm
  • Jason Wee, Labyrinths (Open Fire), 2017, galvanized steel, watercolour on cold press paper, acrylic panel, chiffon print on plywood, coated steel, 200 x 164 cm
  • Jason Wee, Labyrinths (Sungei Road), 2017, galvanized steel, mirrors, cotton, rubber-coated fencing, powder-coated steel, dimensions variable, 209 x 168 cm
  • Jason Wee, Labyrinths (Obstacle Course), 2017, galvanized steel, watercolour on cold press paper, army rope in two shades, 253 x 120cm
  • Jason Wee, Labyrinths (Out of the Cl_s_t, Into the C_ge), 2017, galvanized steel, wool, 200 x 120 cm
  • Jason Wee, Labyrinths (Barriers Closer to Shore), 2017, galvanized steel, aluminium, C-print on PVC, marble laminate on plywood, 242 x 180 cm

Jason Wee

Jason Wee (b. 1979, Singapore) is an artist and a writer working between contemporary art, architecture, poetry and photography. His art practice contends with sources of singular authority in favour of polyphony and difference. He transforms these histories and spaces into various visual and written materials, and is keenly interested in their secrets and their futures, their idealisms and their conundrums. Wee is the founder and director of Grey Projects, an artists’ space, library and residency that focuses on curatorship, new writing, design propositions and art.

Wee has exhibited at Para Site, Hong Kong (2021), the Chelsea Art Museum and Asia Society Museum, New York, USA (2006, 2020), ArtScience Museum, Singapore (2019), Institut für Auslandsbeziehungen, Berlin, Germany (2015, 2009), Casino Luxembourg, Luxembourg (2009), Singapore Art Museum, Singapore (2015) and amongst others. Artist-in-residencies include Artspace Sydney, ISEA 2008, Tokyo Wonder Site, Contemporary Art Japan, NTU Centre for Contemporary Art Singapore and Gyeonggi Creation Center, Korea. He was a 2005-2006 Studio Fellow at the Whitney Museum Independent Study Program, and was awarded the Young Artist Award for visual arts in Singapore in 2008 and the Voters’ Prize from the Singapore Art Museum in 2009. Wee was also a residency fellow at ZK/U Berlin.